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The Content of the Form: Narrative Discourse and Historical Representation (White, 1987, 1990)
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Hayden White probes the notion of authority in art and literature and examines the problems of meaning - its production, distribution, and consumption - in different historical epochs. In the end, he suggests, the only meaning that history can have is the kind that a narrative imagination gives to it.
 
The secret of the process by which consciousness invests history with meaning resides in "the content of the form, " in the way our narrative capacities transforms the present into a fulfillment of a past from which we would wish to have descended.
 
[Wikipedia] White figured prominently in a landmark California Supreme Court case regarding covert intelligence gathering on college campuses by police officers in the Los Angeles Police Department. White v. Davis, 13 Cal.3d 757 (1975). In 1972, while a professor of history at UCLA and acting as sole plaintiff, White brought suit against Chief of Police Edward M. Davis, alleging the illegal expenditure of public funds in connection with covert intelligence gathering by police at UCLA. The covert activities included police officers registering as students, taking notes of discussions occurring in classes, and making police reports on these discussions. White v. Davis, at 762. The Supreme Court found for White in a unanimous decision. This case set the standard that determines the limits of legal police surveillance of political activity in California; police cannot engage in such surveillance in the absence of reasonable suspicion of a crime ("Lockyer Manual").

p.11 [this example, which shows a chronicler leaving certain years empty in his chronicle of events in the Annals of Saint Gall] puts one in mind of Hegel's remark that periods of human happiness and security are blank pages in history.
 
p.11 Hegel was right when he opined that a genuinely historical account had to display not only a certain form, namely, the narrative, but also a certain content, namely, a politicosocial order.
 
p.12 [Hegel quoted] But it is only the state which first presents subject-matter that is not only adapted to the prose of History, but involves the production of such history in the very progress of its own being.
 
p.12-13 Hegel insists that the proper subject of such a record is the state, but the state is to him an abstraction. The reality that lends itself to narrative representation is the conflict between desire and the law. Where there is no rule of law, there can be neither a subject nor the kind of event that lends itself to narrative representation. [JLJ - I would suggest that history is not necessarily a narrative, rather that it is whatever it takes for someone to reconstruct the event in his or her mind. Where White speaks of the conflict between 'desire and the law' as the source of narrative, we can generalize to the 'conflict between desire and the forces which impede, such as the environment or an opponent in a contest or game' ]
 
p.13 once we have been alerted to the intimate relationship that Hegel suggests exists between law, historicality, and narrativity, we cannot be struck by the frequency with which narrativity, whether of the fictional or the factual sort, presupposes the existence of a legal system against which or on behalf of which the typical agents of a narrative account militate.
 
p.105 there is no center to Foucault's discourse. It is all surface - and intended to be so. For even more consistently than Nietzsche, Foucault resists the impulse to seek an origin or transcendental subject that would confer any specific meaning on existence. Foucault's discourse is willfully superficial. And this is consistent with the larger purpose of a thinker who wishes to dissolve the distinction between surfaces and depths, to show that wherever this distinction arises it is evidence of the play of organized power and that this distinction is itself the most effective weapon power possesses for hiding its operations... Discourse is the term under which he gathers all of the forms and categories of cultural life, including, apparently, his own efforts to submit this life to criticism.
 
p.111 What is always at work in discourse - as in everything else - is "desire and power"
 
p.113 the modern history of Western man's "will to knowledge" has been less a progressive development towards "enlightenment" than a product of an endless interaction between desire and power within the system of exclusions which made different kinds of society possible.
 
p.116 the kinds of relationships the sign may have with the entity it is intended to represent are limited to four, depending on whether the sign "alights" on (1) "some internal element" of the entity to be represented by it, (2) some point "adjacent" to the entity, (3) some figure "similar" to the entity, or (4) some figure manifestly "dissimilar" to it.
 
p.130 [Foucault] insists that the principal characteristic of power is always to manifest itself in a discourse about something other; power can only be effective  - and tolerated - when some part of it is hidden... it can only be... analyzed in the places it both inhabits and vacates simultaneously, and hence viewed only indirectly.
 
p.130 knowledge [for Foucault] is conceived to be so saturated with power that it is no longer distinguishable from it
 
p.188 to what should one be responsible?
  There can be no answer to this question, I should think, that is not value-laden and normative, prescriptive and judgmental
 
p.189 A third way of construing the nature of the relation of language to its world was to regard language in general as a symbol of that world, that is, a natural analogue of that of which it was a representation. This was the Hegelian view

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