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A Technique for Producing Ideas (Young, 2003)

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A McGraw-Hill Advertising Classic

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Product Description

A Technique for Producing Ideas reveals a simple, sensible idea-generation methodology that has stood the test of time.

First presented to students in 1939, published in 1965, and now reissued for a new generation of advertising professionals and others looking to jump-start their creative juices, this powerful guide details a five-step process for gathering information, stimulating imagination, and recombining old elements into dramatic new ideas.

From the Back Cover
A step-by-step technique for sparking breakthrough creativity in advertising--or any field

Since its publication in 1965, A Technique for Producing Ideas has helped thousands of advertising copywriters smash through internal barriers to unleash their creativity. Professionals from poets and painters to scientists and engineers have also used the techniques in this concise, powerful book to generate exciting ideas on demand, at any time, on any subject. Now let James Webb Young's unique insights help you look inside yourself to find that big, elusive idea--and once and for all lift the veil of mystery from the creative process.

"James Webb Young is in the tradition of some of our greatest thinkers when he describes the workings of the creative process. The results of many years in advertising have proved to him that the key element in communications success is the production of relevant and dramatic ideas. He not only makes this point vividly for us but shows us the road to that goal."
--William Bernbach, Former Chairman and CEO, Doyle Dane Bernbach Inc.

p.15 an idea is nothing more nor less than a new combination of old elements.
 
p.16 the capacity to bring old elements into new combinations depends largely on the ability to see relationships. Here, I suspect, is where minds differ to the greatest degree when it comes to the production of ideas.
 
p.18 the habit of mind which leads to a search for relationships between facts becomes of the highest importance in the production of ideas.
 
p.20 there is a technique for the use of the mind for this purpose [JLJ - the production of ideas]; that whenever an idea is produced this technique is followed, consciously or unconsciously; and that this technique can consciously be cultivated and the ability of the mind to produce ideas thereby increased. [JLJ - okay, I'm listening... describe your idea machine, Mr. Young]
 
p.20,21 The first of these steps is for the mind to gather its raw material... The materials which must be gathered are of two kinds: they are specific and they are general.
 
p.24 Every really good creative person in advertising whom I have ever known has always had two noticeable characteristics. First, there was no subject under the sun in which he could not easily get interested... Second, he was an extensive browser in all sorts of fields of information.
 
p.24,25 In advertising an idea results from a new combination of specific knowledge about products and people with general knowledge about life and events.
 
p.29 what is the next part of the process that the mind must go through? It is the process of masticating [JLJ - chewing] these materials, as you would food that you are preparing for digestion.
 
p.32 In this third stage you make absolutely no effort of a direct nature. You drop the whole subject and put the problem out of your mind as completely as you can.
 
p.34 if you have really done your part in these three stages of the process you will almost surely experience the fourth. Out of nowhere the Idea will appear.
 
p.38,39 One more stage you have to pass through to complete the idea-producing process... In this stage you have to take your little newborn idea out into the world of reality. And when you do you usually find that it is not quite the marvelous child it seemed when you first gave birth to it... Do not make the mistake of holding your idea close to your chest at this stage. Submit it to the criticism of the judicious.
 
p.39-40 This, then, is the whole process or method by which ideas are produced:
  First, the gathering of raw materials - both the materials of your immediate problem and the materials which come from a constant enrichment of your store of general knowledge.
  Second, the working over of these materials in you mind.
  Third, the incubation stage, where you let something beside the conscious mind do the work of synthesis.
  Fourth, the actual birth of the Idea - the "Eureka! I have found it!" stage.
  And fifth, the final shaping and development of the idea to practical usefulness.
 
p.41 Let me express my gratification at the number of letters which have come to me from readers of the earlier editions. The most gratifying have come from people who say "It works!" - that they have followed the prescription and gotten results.

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